This emotionally charged, candidly sensual, and humorously entertaining dramedy, playing at New Theatre as part of this year’s Sydney Gay And Lesbian Mardi Gras, explores the intricacies of relationships, going beyond the constraints of sexual orientation.
Director Alex Kendall Robson, the creative mind steering the ship of ‘Homos, Or Everyone In America’, shares his first encounter with the script: "I genuinely couldn't put it down. It was still being printed out, and I was standing at the printer, waiting page by page. I devoured it. The play goes for one hour and 45 minutes, with hundreds of pages. I couldn't put it down. It's electrifying."
‘Homos’ takes the audience on a dizzying journey through time, challenging conventional storytelling. Robson discusses the practical and logistical challenges of handling a non-linear timeline, with scenes jumping back and forth between 2006 and 2011. "The audience, especially initially, will find the play a bit baffling. It starts with a tiny scene in a bath bombs store, lasts for about ten seconds, and then jumps to the characters' first date, creating a captivating, albeit dizzying, experience.”
Robson delves into the intricate exploration of love, monogamy, and sexual freedom within 'Homos', shedding light on the nuanced humanity of characters enriched by the actors' personal experiences. Despite the potential subtlety in the extensive script, a captivating undercurrent adds profound depth to the overall theatrical experience. In discussing the delicate equilibrium between intimate character moments and broader themes, Robson underscores Playwright Jordan Seavey's non-didactic stance.
The play refrains from explicit endorsements of monogamy, non-monogamy, or polyamory, allowing characters to organically navigate life's complexities, authentically making choices, and embracing imperfections.
Set to premiere during Mardi Gras, ‘Homos’ seamlessly fits into the festival's celebration of community. Director Robson mentions the characters' ongoing dialogue about belonging, touching on Australia's relatively recent strides in achieving marriage equality. The play sensitively navigates the battles faced, especially by the younger queer generation now experiencing marriage rights. The play offers a universal narrative, welcoming a diverse audience, whether Mardi Gras veterans or first-time attendees, to share in this collective experience.
Robson extends a warm invitation to join the audience, acknowledging the uncertainties that clouded theatres in 2020 amid the rise of livestreaming. Fears loomed about the post-pandemic return of audiences. However, Robson passionately emphasises the core of theatre – the communal experience. It's a shared, almost spiritual connection found in a dim room where people laugh, cry, and breathe together. 'Homos, Or Everyone In America' fully embraces this essence, assuring Mardi Gras attendees of a one-of-a-kind and unforgettable journey.
As audiences gear up for the show, Robson promises surprises and an emotional rollercoaster. "Expect to be surprised, explicitly bewildered, and I know it's a bit cliché, but the play is incredibly funny, but also, my God, it is sad. I'm a crusty grumpy old cynic and even I get choked up. It sweeps you along. It's an experience. People will be moved in all sorts of ways."
‘Homos, Or Everyone In America’ isn’t merely a play; it's a journey through time, relationships, and the evolving landscape of love and acceptance. Get ready for a different kind of show, as the spotlight embraces this unique tale. Audiences are in for a theatrical experience that transcends the ordinary.
'Homos, Or Everyone In America' plays New Theatre (Sydney) 6 February-9 March.
